Lazarillo de Tormes is considered one of the early examples of the genre known as picaresque novel. This is really a novella that often uses first person narrative focusing on adventure as well as opposing injustice. This novella focuses on...
picaresque, Lazarillo de Tormes, Early Modern Spain, Spanish Inquisition, index of prohibited books, cultural studies, food studies, feminist criticism, mythology
Lazarillo de Tormes is alive and well, appearing in classrooms galore and populating research databases with entries that offer wide-ranging approaches to the "standard-bearer" "picaresque" "novel." I quote these words deliberately, as the focus of The Lazarillo Phenomenon is to agitate the "stagnant" (9, 15) state in which Lazarillo studies apparently find themselves. This volume of an introduction and eight essays seeks to reorient traditional approaches to question the very use of "picaresque," the novel's position "as a fundamental part of the cultural production of the so-called Spanish Golden Age" (11), and perennial authorship studies. It does so, albeit with mixed success. Though I learned much from each essay, the editors protest a bit much about "stagnation" given the 2008 Approaches to Teaching volume, an occasional dissertation (especially Carlos Fernando Tapia's on Lazarillo and filmic adaptations), and cultural-studies orientations. Granted, the authorship question recently has engaged print and listserv readers in more than one polemic, so it is a relief to find a volume whose focus is elsewhere.
3. From the story “Lazarillo de Tormes”, explain the parallel among the first episode, the stone bull story, and the last episode of Lazarillo with the blind man. Also, what change do we see in the naïve soul of Lazarillo at the end of the story compared to how he was as a poor child in the beginning?
Lazarillo de Tormes Essay Topics
Resumen de Lazarillo de Tormes UnResumen DE Resumen por Cap tulos de Lazarillo de Tormes No tan resumido An lisis resumen de Sin rumbo de Eugenio Cambac r s
English translation, Part 1/prologue of Lazarillo de Tormes
In the first essay, "La vida de Lazarillo de Tormes: Publicity and Fictionality," Óscar Pereira Zazo sets the theoretical tone by addressing issues of "publicity" and perception. "Publicity" refers to the act of making public Lazarillo's life both as pregonero and as writer/narrator of el caso, that is, of what it means by "signifying in the public realm" (23). I find Pereira's elaborations refreshing as he brings to bear the distinctness of "public," "private," and "particular" and their respective roles in Spanish culture of the wider period. His exploration of distance and immediacy, and the development of informational and cultural [End Page 219] capital leads to a consideration of "homines noui or new men" (27), those not of noble birth whose knowledge permitted entry to the court as well as adherence to codes of conduct based on outward appearances, thus serving the state and creating literary texts that serve as a "tool of the political sphere" (29). Two problems arise: first, does this not coincide with a more traditional view of the absolutist monarchy in how it controlled its "messaging" (as Maravall held)? And second, once public, does not the literary text take on a distinct life as distance between court and the public sector grows? There will always be literature ideologically in tune with the ruling class, just as good writers will also slip under the radar of censorship. For Pereira, Lazarillo becomes a realist novel that warns about the dangerous task of public dissension in an absolutist government. The word "picaresque" makes no appearance.
"Lazarillo de Tormes" Analytical Essay 61902 - …
Sean McDaniel's "Galateo español, destierro de ignorancia, and Lazarillo castigado: The Importance of Post-Publication History," admits to overstating the editors' case that the "picaresque" does not exist in...